Contents copyright © 2002 – 2017  Babette Lightner
ISBN  978-1-927437-34-6

All rights reserved worldwide.
Book design and illustrations by David Gorman

This publication is a free booklet but remains copyrighted and protected by the author as above. The booklet may be reproduced and distributed freely to anyone PROVIDED that it is not changed in any way — that is, by way of additions, deletions, reformatting or any other form of change. The contents may not be reproduced or published in any other compilation, book, magazine or other form, whether commercial or not, without explicit written permission from the author. Permission requests must be addressed directly to the author (details at www.learningmethods.com/contact.htm).

Trademarks:  The “LearningMethods”, “Anatomy of Wholeness”, “Patterns of the Body”, “The Body Moveable”, “Standing on Top of the World” and “Liberating Performers” names and their respective logos are all trademarks of David Gorman and may be registered in some jurisdictions. The “LightnerMethod” and “Wholeness in Motion” names and their logos are trademarks of Babette Lightner and may be registered in some jurisdictions.

First published in print and on the web in 2002
This ePub / Mobi e-book
version is published 2017 by

LearningMethods Publications

Toronto, Canada

www.learningmethods.com

Other publications and courses by David Gorman (founder of LearningMethods)

– The Body Moveable –

Blueprints of the Human Musculoskeletal System
Available as a colour version and in
two different black & white versions

– Looking At Ourselves –

Available in both black & white and colour print
editions as well as in various e-book formats

– Anatomy of Wholeness –

An online course in 18 parts (almost 27 hours) about
our structure and function – how our marvellous
human system works when it is working well

– Standing on Top of the World –

An online course over 12 hours of graduated
experiential explorations on the principles
and practice of balance and support

The Coordination of Bliss
by
Babette Lightner

This article is also available as a web page:

www.learningmethods.com/bliss.htm

For centuries and across cultures humans have had experiences of bliss, ecstasy, oneness, of mystical realization and transcendence. Myths, religions and self-help books tell guiding stories and draw conclusions about living life based on such heightened experiences. (note1)

These moments stand out in human life because suddenly we perceive the world in which we’ve been living completely differently. It is as though we’ve entered a better, truer and deeper state of reality. The bliss experience is commonly interpreted as a state of being showing us a better way to live, if we could just find it. Sometimes it is interpreted as union with God or an unveiling of the illusion of separateness. The individual’s interpretation of these moments is generally taken for granted and rarely questioned. The consequent emphasis in our culture has been placed on how to gain this state and keep it. The bliss experience, which in its essence contains no desire and no interpretation, now fuels our deepest desire to regain this better state of being which we believe exists. In the trying to get something that has no getting in it, we usually fail. I call this contradiction the “bliss experience trap”.

Recently I have been examining a model of human structure and function articulated by anatomy and physiology maverick, David Gorman. His model takes an in-depth look at the details of our anatomy and physiology but from the overall point of view of how all these parts fit together in the whole living, sensing, responding, intending human being. (note2)

This structural model sheds new light on the nature of our experience and brought me to question if I was accurately interpreting my own bliss experiences. Is a bliss moment a state of being? If not, what is it? What were the precise ingredients of this experience? Have I, along with humans through the ages, fundamentally misunderstood the nature of these moments because of the power of the feeling? Could a more accurate interpretation resolve the bliss trap and have implications on the nature human experience as well?

By looking precisely at a particular bliss moment in my own life I uncovered the fundamental flaw of the “state of being” interpretation. I also gained the means to step out of the “bliss experience trap” as I came to understand what really caused that intensity of feeling. I saw that there is no state to attain. Instead I found a means of learning built into us, into the very nature of our structural and functioning system. The yearning for those high moments of bliss dissipates as I learn to navigate my life from my own experience rather than from precepts, commandments and other external guides. The conclusions may ultimately be the same, but the means of learning is drastically different.

There are three aspects of human functioning that are key to accurately interpreting my bliss experience. First, is an understanding of how our system is designed to coordinate us to our intention. The second is our ability to register and evaluate our own experience. Lastly, is an understanding of how we are designed to perceive contrasts and changes rather than a particular state of being.

When we look at human structure from the point of view of how we function in the world it becomes necessary to define what we mean by human coordination. Human coordination is the sum total of our functioning at any given moment: our muscular-skeletal-postural tone, our neuro-chemicals, our hormones, our feeling-state and our thinking, all functioning together as one coordinated self. We could zoom in to dissect these seemingly distinct functions separately, but if we step back and see the whole human they are always working simultaneously and in concert. This total response to any given moment is the coordination of the self to whatever particular something we are doing, to our intention.

Crucial to our responsiveness is our innate ability to detect and evaluate our experience. This property is so basic to our nature we overlook it as a fundamental capability that allows us to be drawn toward some things and repulsed by others; this feels good; that feels bad. In this way the capacity to detect and the propensity to respond function like an in-built navigation system. This aspect of our system lets us register the value of our experience, detect problems and navigate our life from our own experience. It is a key to understanding, interpreting and acting from the information already available to us from our own life. It is a key to freedom as long as we don’t override or ignore the messages our system is giving us.

There is a phenomenon of feeling change in human movement that applies to interpreting any experience of change like a bliss experience. We perceive where we are in comparison to where we just were. When a person has imposed an idea of “good posture” onto herself with directions like “shoulders back, chest up” her habitual standing posture is usually a slight backward lean. But she feels like she is squarely upright and uses the words “I feel straight”. She has been leaning back for so long she no longer perceives the effort it takes to hold herself in this backward lean. If I guide her out of leaning backward to where she is more over her feet she will feel like she is leaning forward and feel light or like she is floating. (note3)

What is commonly misunderstood is that the floating and lightness is the experience of stopping working against herself. It is the experience of the shift from all the effort of working against her in-built balancing system, of imposing a posture, to letting her design balance itself. In other words, she experiences the contrast from the effort of working against her design to the ease of working with her design. There is no floating state in and of itself to achieve. Instead, she is more light (than she was before), she is more floating (than she was before). If she lets her system balance itself more efficiently, over time she will no longer feel like she is floating because there’s no contrast to her effort anymore.

The Wrinkled Quilt Story:

I was home alone. For several weeks my work life had been tumultuous. Dreams of fixing up our old farmhouse were in discussion, but bills were coming in and my income contributions were less than I expected. As a self-employed person this roller coaster of income was not unusual. But there I was in what I call a spin of thoughts. I would jump from thinking about construction to: “oh no, we don’t have the money...”,”which is all my fault...”, “I know better than to let this thinking get me all caught up...”, “so maybe now I’ll do this or that...”

I was uncomfortable. My stomach felt shaky, my jaw was clenched, my emotions distressed. I sat down to quiet myself and began to write a list of how many students and classes I might need to make more money. At this moment I saw I was responding with my usual strategy to get out of discomfort. I make hopeful lists or close my eyes or say affirmations or pray or breathe consciously. I attempt to make myself feel better; to alter my state; to get from this bad moment to a better moment. (note4)  Sometimes I try to understand and change my discomfort by focusing my attention internally and observe myself, my body or my feelings, as if I can split my whole functioning self into an observer and observed. (note5)

My experience of these various strategies for change—going internal or making lists—is that I might get temporary relief but rarely solve the problem or learn from it. This time it really struck home that my methods had not been working, so I chose not to try to go in and observe myself in that old way. I asked myself the one question I was capable of asking: “I wonder what would happen if I didn’t try to get out of this uncomfortable state?” So I stopped trying to change anything and let all my strategies drop away.

Interestingly, almost as soon as I did, my thinking cleared a little. I was able to ask: “What am I doing, the coordination of which is this discomfort?” Based on the definition of coordination as being the sum total of my system’s response to my intentions, to what I’m doing, there is an important distinction to make between what I am actually doing as distinct from what is happening to me. (note6)

It was clear to me that I wasn’t doing the discomfort, though I was feeling it. In other words, I wasn’t saying to myself, “clench my jaw, belly shake”, but I was doing the worrying about negative outcomes and the confused thinking about solutions. My attention was narrowed to all these ideas about the future and away from the world around me. That’s what I was actually doing. The coordination of doing that created all those symptoms of jaw tension, gut wrenching, bio-chemical soup. The discomfort was happening to me as a result of what I as doing; it was a coordination of what I was doing.

Here I was awake to the whole experience of my activity. The discomfort and the action of confused, fearful thinking were all one coordination of my self. I began to be aware of what was actually around me—of the tree branches outside the room moving in the wind. I didn’t attempt to see what was around me, it was just what was there for me when I stopped concentrating my attention inward to try to change.

I looked at the quilt on the couch in front of me and saw a wrinkle in it. Hundreds of times over the years in this house filled with rambunctious kids and dogs and cats I’ve unwrinkled that wrinkle. I saw that wrinkle and suddenly I was in one of those instantaneous shifts of perception. There was no longer anything in me drawing me to change the wrinkle. It was as it was.

I began to register a huge shift of my entire being. Discomfort was no longer a concept. There was simply no impulse to change anything. Interestingly, that was also what I had decided to do—not change anything. It seemed that by some quirk of the moment I had dropped my usual way of perceiving. This felt like a moment of grace because it had happened to me—I hadn’t done it. What I had done was to stop trying to change anything, which in turn resulted in an opening up to what was around me.

To write this I use words which are symbols for objects, actions, experience. They are, in a sense, the map of the world as we perceive it. At the moment of that experience the concept of tree or quilt or wind stopped existing. I could distinguish the impulse to name something from that of simply experiencing existence. It was like seeing the actual territory, not the map. It was clear that the symbol would interfere with clear seeing. There was no hierarchy. No smooth quilt better than wrinkled quilt. The bottom dropped out of any sense of problem. It was the bliss of the absence of identification... no-self... oneness... isness.

In the past, my interpretation of this kind of experience was that it was somehow a truer, better way of being; that this was what it felt like to be fully present. And it felt so good. My interpretation that this good feeling came from a better way of being also led me to want to repeat the experience or keep it. When I wasn’t in this lovely state I often felt like I should be. This became the refueling of my bliss experience trap.

I’d had two distinct experiences—the clenched, shaky, distressed one and the present blissful one. One was more pleasant than the other, which normally would have led me to want more of it. While the unpleasant one naturally would have led me to want to get rid of it.

But now with my new understanding of our human function, I had a chance to re-examine what these experiences meant. What if each experience was a different coordination of myself, each perfectly coordinated to what I was doing?

The unpleasant experiences we have are specific, they have symptoms, and wake us up to ourselves. They grab our attention and we are wired to want to change them. Here was my navigation system in action, not a problem to get rid of. In contrast, when we feel good we tend not to notice parts of ourselves but to be in interaction with the world around and we rarely have a desire to change things.

At this point I was clear that the first uncomfortable experience was the coordination of a narrowed, worried thinking. But I wasn’t exactly clear what the second more blissful experience was the coordination of. On the surface I could say I was seeing the world around me as it was. But, what I actually had done was stop trying to change anything directly and attempt to perceive as clearly as possible what I was actually doing. But if I simply concluded I can get this blissful feeling by being more present and noticing the world around me, I would be skipping over the facts of the context of the experience and something important would be missing.

I realized that my bliss phenomena was not a state in itself, but an experience of change from one way of being to another, just like the feeling of lightness when someone has stopped holding their posture so tightly. As a measure of a change, the feeling of bliss was proportionate to the degree of being caught up in distress or misunderstanding. This implies that the experience of bliss of the wrinkled quilt moment was simply the contrast from being caught in a spin of many simultaneous thoughts to the moment of opening up to where I actually was and what I was actually doing.

And as Gorman points out, our coordination experiences have a value register to show us what is good for us so we can navigate our lives. Interestingly, from this point of view, the wonderful bliss component of this experience shows me that my built-in detection system has a bias toward me being present with what I am doing.

In our culture there is a lot of talk and advice about the concept of “being present” vs. “not being present”. In this model, we can’t be “not present”. We are always present to something and what were are present to determines or organizes our coordination. What seems to be true is when we are present to what is actually happening at this particular moment, what we are actually doing, sensing and so forth, our coordination seems to be easy and pleasant. Hence all the focus on being in the moment, being here now, being present. But, if I try to be present I’m already not where I am. I’m wanting a better moment than the one I’m in. This becomes the “be-in-the-present trap”.

Understanding that the extent of blissful feeling is proportionate to the previous discomfort explains why at other times when I have not been in a long prior period of distressful coordination the same kind of shift was experienced with less contrast, less difference. I’ve noticed too when I’ve had several days in which I’ve been existing with less of the distanced “symbolic” looking at the world and more “isness”, there isn’t an ongoing experience of bliss as much as a sense of absence of problems.

The ramifications of interpreting my blissful experience as the experience of a shift of coordination rather than divine grace or better state of being to aspire to has liberated me. I experienced literally how my system is absolutely designed to lead me toward ease of being as long as I don’t override the messages from my system or try to divide myself into parts. When I’m experiencing discomfort it is so much less intense because I know my system is somehow waking me up to my working against myself or against the way the Universe works. Now I can simple ask myself, “what am I doing that is coordinating me into this discomfort?” The question lets me be where I am—pleasant or unpleasant. It gives me the tools for gaining understanding of what it is I’m actually experiencing in it’s fullest context allowing me to navigate my life from information available to me from my own experience. It becomes clear there’s no state to attain, no enlightenment to achieve. Everything is all here at any moment when I use my own in-built navigation system.

The model of Human Structure and Function articulated by David Gorman, author and teacher, gives us a process for beginning to look at the “anatomy” of our experience. The details of this model explain the interface between our physical molecular structure and our everyday experience of being one self living in the world. This contribution to the body of knowledge has implications in every area of human behavior. It is a truly holistic model in which thinking, feeling, understanding and the physical structure are never divided but always seen as one expression of a self in action. In this model there is no wonderful end-state to attain, but rather an ongoing means of learning to acquire more and more wisdom and harmony. It is a means for liberating a person from the traps of faulty interpretations and assumptions so they can take in precisely and clearly what is actually available to them in their experience at the moment of being.

——————

Acknowledgements

This article could not have been written without David Gorman’s articulation of human functioning. Many of the concepts conveyed come directly from his work, LearningMethods. You can find out more about his discoveries in the other articles and pages of his web site (www.learningmethods.com).

I also could not have written this without the mentorship and friendship of Elizabeth Garren who led the way.

——————

Endnotes:

Endnote 1
“The Power of Myth” by Joseph Campbell covers a vast array of myths across religious lines; A myriad of spiritually based self-help books start with a “bliss experience” story on which the philosophy and advice of the book’s author is based.

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Endnote 2
See “Patterns of Being / Anatomy of Wholeness” materials by David Gorman

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Endnote 3
Another interesting response people have when they are shifted to an easier upright is to say “Well this is easier, but it isn’t right.” I’ve often worked with people who have been instructing themselves to “pull my shoulders back” and have also been in a lot of pain. When they are guided to stop pulling their shoulders back they’ve instantly felt relief of pain. Almost as instantly said “But this isn’t right”. Their idea of “right”, usually given to them by an outside expert, has over-ridden their ability to respond to their own system’s information about what they are doing and the effect of it on them.

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Endnote 4
See The Rounder We Go, The Stucker We Get by David Gorman

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Endnote 5
This self-observation if looked at accurately is really an attempt to separate my whole functioning self, which is impossible. When I think I’m feeling my body I’m actually experiencing what it feels like to try to split myself into parts—body, mind, feelings—or split myself into an observer and an observed. I’m feeling the feeling of narrowing my attention to my body or feelings. In other words I am feeling my system coordinating me to my intention to feel myself.

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Endnote 6
An everyday example of this distinction is when someone may say, “I’m tightening my shoulders”. But on further inquiry we can see that they didn’t tighten their shoulders; the tightened shoulders happened when they became afraid of making a mistake, for example. Yet a common result of someone thinking that they are tightening their shoulders is to go around loosening the tight shoulder without ever figuring out what caused the tightening in the first place. Consequently the person will have to keep on loosening shoulders and never really get out of the loop of the problem.

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Appendix

About the Author

About the LearningMethods work

Find out more about LearningMethods

More Information on the Alexander Technique

LearningMethods Publications

About the Author

Babette Lightner developed The Lightner Method™ giving voice to her synthesis of 40 years of teaching and studying human design, movement and well-being. She has been a Movement Educator for 40 years, a Certified Alexander Technique teacher for 30 years and a LearningMethods™ teacher for 20 years. She is an adjunct faculty member at the College of St. Benedict’s and St. John’s University, where she is developing a Body Mind and Performance class based on The Lightner Method (www.lightnermethod.com). She is a long-standing member of the faculty of the VoiceCare Network and she has an on-going, twice yearly residency with the Vocal, Conducting and Choral program at Western University in London, Ontario.

For ten years she taught in the Professional Actor Training Program and Music Department at the University of Minnesota. Lightner has lectured and taught for many universities, institutions and organizations including the Guthrie Theater, Sister Kenny Institute, Balk Opera Music Institute, Taipei National University of Arts in Taiwan, and with the internationally acclaimed a cappella group Rajaton.

Her explorations into human movement have taken her around the world, from dancing with a folk dance troupe in the villages of South India to performing with a post-modern physical theatre company in the warehouses of Boston.

She is the author of Your Inner Compass, Pedagogy of Empowerment, Beyond The Body, Coordination of Being - Conducting, Patterns of Joy, and other articles that elucidate how your magnificent system can work for you rather than against you.

She wakes up grateful each morning because seeing people awed by their own capability is like witnessing a miracle every day.

About the LearningMethods work

We are the most amazing learning creatures on the planet.  We have a wonderful in-built intelligence, an exquisitely sensitive awareness and a wealth of experience.  Yet we still suffer from so many chronic and completely unnecessary problems.

Why?

Because only a few people have moved into their full heritage as humans and learned how to bring their intelligence to bear on their experience to understand and solve their problems.

How do I know this?

I see it every day in my teaching.  Once people learn the simple yet incredibly powerful tools of how to unravel what’s happening to them they can change far more easily and quickly than they dreamed possible.

How can this happen?

Because everything you need is already within you — the only thing missing is learning how how to use it.

LearningMethods teaches you how to use your intelligence to explore and understand your daily experience, to make sense out of your issues and problems, and how to change them. In other words, LearningMethods gives you the set of tools to navigate your life successfully — to find your way back to your natural wholeness and presentness; to be free of chronic tension and effort; to be more effective and stress-free at work and to be more at ease and in harmony with others — in fact, the tools for solving any problem that’s solvable.

It is not a far-off dream — it is in your very human nature to be able to learn from experience and liberate yourself from problems.  It is your birthright to gain wisdom about life and to feel at home in the universe.  And, there is no time like the present to start !

David Gorman, founder of LearningMethods

Find out more about LearningMethods

Studying and upcoming workshops, finding teachers, reading on-line articles, publications and online store, teacher training and professional development:

LearningMethods homepage — www.learningmethods.com

What is LearningMethods?   How it can help you; what you’ll learn
— www.learningmethods.com/lm-engl.htm

The principles of the work    How does it operate?  What is it based on?
— www.learningmethods.com/question.htm

How do I study it?   How LM is taught and the various ways to study it
— www.learningmethods.com/lmstudy.htm

Finding a Teacher   List of LM teachers and apprentice-teachers
— www.learningmethods.com/lmteach.htm

Quotes and Testimonials   How LM has helped people and what they have said
—  www.learningmethods.com/lmquotes.htm

Online Library of Articles   Exploring and solving various problems
—  www.learningmethods.com/lmarticle.htm

Online Store   Buy printed publications, e-books, audio and video recordings
—  www.store.learningmethods.com/

Professional Development   Online learning and professional development for teachers, practitioners or performers
—  www.training.learningmethods.com/

Training as an LM Teacher     What’s involved in becoming a LearningMethods or an Anatomy of Wholeness Teacher
—  www.training.learningmethods.com/

More Information on the Alexander Technique

Information about the Alexander Technique on the Internet

The Complete Guide to the Alexander Technique is a good general Alexander Technique Internet resource with many resources on the Alexander Technique — articles, audio and video recordings, podcasts, interviews and more:  www.alexandertechnique.com

Alexander Technique Professional Organizations

Here is a listing of the current Alexander Technique professional organizations beginning with ATI, the international professional body with branches in 12 countries and members world-wide.  All these bodies have a mechanism for assessing the competence of teachers and for granting Teaching Certificates and/or Teaching Membership. All have a Code of Ethics to which all Teaching Members subscribe.

Alexander Technique International (ATI)

Web: www.alexandertechniqueinternational.com
E-mail:  office@alexandertechniqueinternational.com

Most of the other Alexander Technique professional organizations are local groups comprising the teachers in separate countries.  As of the publication of this book these national organizations can be found at: www.alexandertechniqueworldwide.com (this link is to the  web site of the UK-based STAT).

LearningMethods Publications

For a complete list of LearningMethods Publications:

– books & booklets       – downloadable e-books
– audio recordings                   – video recordings

visit the LearningMethods Online Store: www.store.learningmethods.com

– descriptions of the publications       – details of costs and shipping
– secure ordering by credit card    – instant downloading of e-books

Here are a few examples of what is on offer:

The Body Moveable — A  detailed  study  of  the  structure, function and dynamics of the human musculoskeletal system with thousands of beautiful illustrations and clear and detailed text. See sample pages at link below.

First published 1981, now in its 6th edition. Size: ( 8.5” x 11” / 21.6cm x 28cm )

In three different formats. all with the same content:

— Single-volume Colour hardback (above left) - ISBN  978-1-927437-01-8

— Single-volume B&W hardback (above middle) - ISBN  978-1-927437-00-1

— Three-volume B&W hardback set (above right) - ISBN  978-1-897452-90-5

All versions have a laminated hardcover for years of long-lasting use.

Full details, sample pages and ordering at www.bodymoveable.com

Looking at Ourselves – Exploring and Evolving in the Alexander Technique

Print edition: 2nd edition, 176-page paperback (in Colour or B&W)
Size: 6.69" x 9.61" / 17cm x 24.4cm

Ordering:  www.learningmethods.com/lmpub-looking-at-ourselves.htm

E-book: (same content as above) for PDF and various e-book readers

Ordering: www.learningmethods.com/ebooks/gorman-looking-at-ourselves-ebook.htm

In Our Own Image – The elastic suspension system

This series of 8 articles is part of the Looking At Ourselves book above, and has been extracted to its own e-book.

E-book only:  for PDF and various e-book readers

www.learningmethods.com/ebooks/gorman-in-our-own-image-ebook.htm

The Anatomy of Wholeness – An online course on our innate coordination of wholeness and ease; its implications for daily life, performance, recovery and healing.

Video - Online course (stream to any Internet-connected device), 25+ hours

www.learningmethods.com/lmpub-courses--anatomy-of-wholeness.htm

Standing on Top of the World – Experiencing the Fundamental Freedom of Support and Balance

This graduated series of practical and experiential follow-along demonstrations was developed over the last 15 years by David Gorman to teach the principles of support and balance and how to live them in everything you do.  This video course is also aimed at helping teachers learn how to teach this material themselves.

Video - Online course (stream to any Internet-connected device), 12+ hours

www.learningmethods.com/lmpub-courses--standing-on-top-of-the-world.htm

Liberating Performers – Eliminating Performance Anxiety (nervousness, self-judgment, doubt and fear)

A recording of the “Liberating Performers” series of workshops helping performers to see through the misconceptions that generate fear and nervousness, and how to get rid of it permanently.

Audio - Online course (stream to any Internet-connected device), 19+ hours

www.learningmethods.com/lmpub-courses--liberating-performers--audio.htm

Sounds of a Provence Summer – Day & Night

Live recording of the quintessential sounds of the hot Provençal summer – the cigales (cicadas) by day and the crickets at night, plus a summer thunderstorm and soothing rainfall. Listen to a sample of the CD at the link below.

Audio CD, 76 minutes – 1 CD (playable in any CD player)

www.learningmethods.com/lmpub-cdcigales.htm

Free e-books to download — Browse a large collection free e-books versions of various articles.  Download, read and send to friends . . .

www.store.learningmethods.com#ebooks

And More Books Coming in the future . . .

Revealing the Obvious – The Anatomy of Wholeness
A new book, still in process, on the coordination of wholeness and ease and its implications for you, the whole thinking responding being.  Extracts will be available in e-book format soon.

www.learningmethods.com/revealing.htm

Standing on Top of the World – Experiencing the Freedom of Balance and Support
A book about a series of practical demonstrations that will put you in touch with your own system’s signals about support and orientation so you can be supported, whole and easy, responsive and present in every aspect of your life.

www.store.learningmethods.com

Liberating Performers – Escaping the trap of nervousness, self-judgment, and fear
An upcoming book on why we get trapped in performance and social anxieties, how these fears are based an interlocked series of misconceptions, and how understanding and using your in-built “value register” will liberate you permanently.

www.store.learningmethods.com